TANG, in partnership with Edukasyon.ph, aims to help moms make distance learning a more fun experience for their kids
Friday, August 7, 2020
Prepare your Kids for Distance Learning with TANG
Damaged Hair? You Might Be Using the Wrong Products. Treat It with the “My Collagen Miracle” Habit
Is the lack of social activities making you care less about your hair’s condition? You might want to do a quick re-check on your hair condition.
Being indoors does not necessarily mean your hair is completely free from the risks of hair damage. If your hair is showing signs of tutchang, dryness, dullness, and frizz, chances are, it’s damaged. Exposure to heat in the form of hair styling tools, humidity, and chemical treatments weakens your hair’s fibers and strips off nutrients, moisture, and color, causing more damage. Not to mention that continuous use of the wrong haircare products can also harm your strands.
Introducing My Collagen Miracle
Collagen provides amino acids in your body that then builds proteins to help strengthen hair from root to tip. It also prevents your hair from thinning, discoloration, and more damage. This miracle ingredient has done wonders for the skin and is now making rounds for its hair strengthening benefits.
Say good riddance to damaged hair when you use the Pantene Collagen Miracle Conditioner — formulated with a blend of Pro-Vitamin B5, miracle serum, and real collagen, that moisturizes hair, targets damaged strands, and strengthens hair that’s frizz-free with salon-like results.
Unlike other conditioners that only have hydrolyzed collagen, Pantene’s Collagen Miracle Conditioner contains real collagen with a triple helix structure that gives support and structure to each hair strand, providing protection from external causes of damage.
Other Conditioners vs.
Pantene Collagen Miracle Conditioner
Use Pantene Collagen Miracle Conditioner daily and save yourself from the hassle of dealing with damaged and dry hair. Instead, enjoy the miraculous salon smooth hair, collagen has to offer.
You don’t need to sweat going out and exposing your hair to the extreme heat and humidity when you can conveniently shop Pantene products from the comfort of your own home and checkout through Lazada or Shopee.
Saturday, August 1, 2020
Exclusive: SB19 drops their highly anticipated debut album, ‘Get in the Zone’
SB19 pushes the envelope of
pop music with the release of their debut full-length album, Get in the Zone,
out today on all digital platforms worldwide via Sony Music.
Mashing together various
music influences with top-tier production and global appeal, the nine-track
release features six original compositions, along with the EDM version of “Love
Goes” and two instrumental songs.
Thematically speaking, Get in the Zone maps their creative and
personal journey. “It hasn’t been long since we released our debut single
‘Tilaluha,’ but prior to that, we have been training for years already,” says
Sejun. “We wanted to incorporate all the things that we have experienced during
trainee days into this album by putting all the emotions that we went through
into our music. It was an emotional rollercoaster, but we pulled through and we
hope that we get to inspire people with our story.”
SB19’s first album kicks off
with the two-punch knockout of “Alab” and “Go Up”—both chart-topping singles
that bask in electronic grooves, pulsating hip-hop rhythms, and technicolored
beats. These songs not only exude outsized charisma, but it also showcases
SB19’s potential as a phenomenal pop group capable of defying trends and trailblazing
a new movement in the international music arena.
Get
in the Zone takes a more somber turn with “Tilaluha,” a
stripped-down ballad that tackles one’s remorse over reciprocated romance. It’s
a refreshing misnomer in a record filled with upbeat jams and shiny pop tunes,
and one that blows the roof off, vocal performance-wise.
The winsome streak continues
with the R&B-infused “Love Goes,” a song that talks about one’s suffering
over a lost loved one, and its sequel, “Hanggang Sa Huli,” which allows the
broken person to heal and find comfort in a kind of love that lasts a lifetime.
The sonically adventurous album also includes “Wag Mong Ikunot Ang Iyong Noo,”
a Filipino adaptation of the Korean ‘90s smash “Sarangeun Ya YaYa,” as well as
an EDM remix and two bonus tracks.
According to Sejun, what
sets Get in the Zone apart from other
contemporary releases is the collaborative synergy between K-pop producers and
Filipino talents, resulting into an exciting yet compelling final product.
“It’s a great thing to get all the good traits from Korean and Philippine
music/culture, and put them together into one. If you’ll dive deep into it,
you’ll find a whole new sound rich in both cultures.”
As for the creative process,
SB19 members Justin, Sejun, Josh, Ken, and Stell are very hands on when it
comes to writing songs and creating melodies. Justin shares, “In this album, we
didn’t collaborate with any other artist. We also wrote the lyrics for all the
songs ourselves, but we’ve worked with Korean Producers who have also worked
with famous artists in Korea already. It was a different experience for each
producer since they have different styles, but overall, everything was fun and
exciting.”
The award-winning band
dedicates their new album, Get in the
Zone to every single one of their A’TIN fans who have relentlessly
supported their music through thick and thin. “All our achievements to date
would not have been possible without you,” says Josh. “So in return we will
work harder and continue to uplift you with more music and content so that we
can give back the love we’ve received from you.”
Check out SB19’s Get in the Zone here.
Sponge Cola signs to Sony Music, releases new song “Lumipas Ang Tag-Araw”
Sponge Cola has officially
signed to Sony Music—the record label that released their debut album, Palabas.
To mark this return, the
award-winning band drops a new song entitled “Lumipas
Ang Tag-araw,” out today on all digital platforms worldwide.
Capturing the essence of a
belated summer anthem in less than four minutes, Sponge Cola’s latest single
soars into the fast lane with verses that turn romantic yearning into an
inescapable sing-along, and a power pop surge that packs a ton of punch.
Connection
in separation
The captivating and
relatable lyrics echo the collective frustration of not being with the people
we deeply care about and love. But on the other side of the narrative, the song
presents an opportunity to weather the insurmountable odds through perseverance
and resilience to get through life—thanks to the support and kindness of
friends and family. “It's a story of connection in separation, and how we can
be a source of comfort for each other during difficult times,” guitarist Armo
Armovit adds.
Vocalist and guitarist Yael
Yuzon fondly recalls the inspiration behind “Lumipas Ang Tag-araw” after
driving his wife to work one morning under the new normal. He remembers
becoming intensely emotional out of nowhere. “It was a strange feeling: a
realization about everything that has or hasn’t happened since Covid-19, which yanked
us away from our usual. And at that moment, this bright and happy melody just
came to me, then some words and harmonies. When I got home, I fleshed
everything out and recorded a demo within a few minutes. I guess I just needed
to uplift myself, so I wrote something uplifting-- something that doesn't
highlight the struggle everyone has been trying to deal with during the
pandemic and the lockdown.” The creative and emotional surge led to writing the
initial draft of “Lumipas Ang Tag-araw”—a love song that deals with the
struggles of physical connection in the time of pandemic.
“Virtual”
recording
The upbeat pop-rock tune is
the first song that the band arranged and recorded in the comforts of their
home, without being together in the same place. Armovit shares the challenging
process that transpired during the preliminary stages of the recording. “We
sent demos and voice memos to each other back and forth, tweaking parts,
creating variations, until we all agreed on a final arrangement. Everyone then
had to record their own parts at home and send it to a communal online drive
for the producer, Angee Rozul, to bring everything together for the final
track.”
Under normal circumstances,
Sponge Cola would usually write the song, arrange it in a rehearsal space, and
record it together in a studio. But due to the nationwide lockdown imposed in
the previous months, the alternative rock quartet decided to use the time and
resources available at their disposal to record individually at their own
place. “There was a lot of self-editing because you're not being policed by
your bandmates or a producer constantly keeping tabs on possible mistakes or
improvements, at least in person,” says Yael Yuzon. “It was all about laying in
your parts when the song was passed on to you, and you had the responsibility
to keep things right and easy for the next guy to add on to.”
Music
video
According to Armovit, the
lockdown-inspired music video of “Lumipas ang Tag-Araw” takes an intimate look
into the fictional and real-life character’s personal worlds—their bedrooms,
living spaces, confined homes—and the routine that they’re up to, in hopes of
coping with the situation under quarantine. “It was also our first time working
under special conditions, where we had to film all the scenes ourselves with
our own phones and cameras. I'm very thankful for the help and
guidance from King Palisoc, our director, and the creative ideas from his team.”
The music video will be
released on August 1, Saturday via the band’s official YouTube page.
Tuesday, July 28, 2020
Look at the brighter side: My tips for positivity
Tuesday, July 14, 2020
Thoughts this pandemic
Friday, July 10, 2020
EDM artist Dylan House releases new single 'Wonder'
The chorus is catchy. I noticed it has less bass and effects are dry. It is a Christian EDM so expect the lyrics are talking about God.
Thursday, July 9, 2020
Help Quezon city jeepney drivers
Thursday, July 2, 2020
PhilPop goes global with #MusicBreakingBorders
PhilPop has always been a reliable and trusted platform in fostering appreciation for quality and original compositions that reflect Filipino culture, experience, and identity. This year, the country’s premier songwriting competition plans to continue its mission of promoting homegrown music on a scale that’s never done before: by going global and forging regional ties.
With #MusicBreakingBorders
as its newest tagline, PhilPop is committed to celebrating and showcasing the
diverse appeal of Filipino music through its Songwriting Festival.
This also serves as an
opportunity to empower underrated music talents from the Philippines to harness
their potential in the international music arena, and give them the necessary
support to widen their reach and adapt to various challenges and trends in the
industry.
Music
Breaking Borders
National Artist and PhilPop
Music Fest Foundation Board Member and Bootcamp Master Ryan Cayabyab puts into
perspective the fascinating story and direction for original Pilipino music for
which PhilPop dares to achieve. “Filipino music and songs become more
meaningful, more colorful and more diverse when we tear down the barriers that
separate us. The color that each language brings, the unique stories that each
music creator conjures or creates, and the diversity of possible creations to
choose from makes for a more exciting direction for Philippine popular music to
take. Hence, we in Philpop has adopted the theme, Music Breaking Borders to achieve what we have set out. The other
facet of Philpop’s #MusicBreakingBorders is, you probably have guessed – the
task of Philippine pop music to break barriers in the international scene,”
Cayabyab shares in a statement.
PhilPop Boot Camp coach and
folk icon Noel Cabangon also emphasizes the importance of giving voice to new,
original Filipino pop songs from different parts of the country, and that an
overwhelming number of aspiring songwriters outside Metropolitan Manila, have
produced and written material that deserves to be heard on the mainstage. “The
idea of breaking borders is to somehow break the “monopoly’ of music emanating
from the National Capital Region (NCR).”
Cabangon explains, “We have to admit that there is a diverse musical sound of diverse influences from the regions. Music has been one of the popular art forms that expresses the culture and way of life of the people from the region. I’m not just talking about indigenous sound and ideas but distinct people’s character and sensibility. #MusicBreakingBorders is also not just an accommodation of music from the other parts of the country, but the idea being inclusive, in the sense of original Filipino music. We somehow want to break the wall of confinement in the center and allow/open the arena, and create a broader stream. Somehow this broader stream can lead all of us to the sea and to the ocean, where borders are opening up to new ideas.”
Overwhelming
response
The 2020 PhilPop Music
Festival started accepting entries last April 25, 2020 from all over the
country in 5 different clusters: Northern Luzon, Southern Luzon, Visayas,
Mindanao, the National Capital Region.
More than a thousand entries
have already been submitted, with original and unpublished compositions not
restricted to any genre, and written in various languages—from English to
Filipino, from Bicolano to Ilocano, from Cebuano to Waray, and more.
Submission of entries is
still ongoing until July 4, 2020. For more details on how to join, feel free to
register online via their official website.
To date, PhilPop has
produced some of the biggest songs of the last two decades, including massive
streaming and radio hits performed, composed and written by Ben&Ben, Thyro
and Yumi, The Itchyworms, Sam Concepcion, Johnoy Danao, Kyla, and Joey Ayala—to
name a few.
The respected music
institution has also created a world-class and sustainable curriculum for its
annual workshops and seminars, facilitated only by the best in the Philippine
music industry.
This year alone, PhilPop conducted
several talks and performances online through its banner showcase, Q&A + Kwentuhan Songwriting and PhilPop Live, which can be streamed on
its Facebook page.
According to PhilPop 2020 President
Ricky Vargas, the country’s biggest songwriting competition aims to strengthen
its presence by “coming up with digital initiatives and strategies to engage
future music industry professionals with different approaches in songwriting,
production, and other modes of creative expression that are at par with
international standards.” He adds, “Despite the challenges posed by the
pandemic, we remain as a stabilizing force in discovering
world-class songwriters and composers, and making sure that their work stands
out in terms of innovation, cultural pride, and global appeal.
Advice to aspiring composers
When asked about his advice
to new and upcoming composers and songwriters, Ryan Cayabyab shares a few
important reminders to achieve their goals of making it to the international
stage. “The balance to be original and to be universal all at the same time is
the key that anyone aspiring for global recognition needs to achieve. It also
means that a careful balance between science and art should be the direction to
take. This will entail a lot of observation and experimentation and a lot of
creative spirit and practice to get to that point where one is ready to take flight!
Like all types of experiments, there will be a lot of failures along the way,
so we need to be prepared for the long haul: prepared physically, mentally and
emotionally.”
Noel Cabangon encourages everyone to focus on honing the
talent and turning the process into a habit. “Get inspired, keep on writing,
open your ears and eyes to new ideas and transform and them your own.”
PhilPop Songwriting Festival 2020 is an
initiative of the PhilPop Music Foundation, chaired by Mr. Manny V. Pangilinan.
This year's PhilPop is co-presented by SMART, MERALCO, and MAYNILAD.


















